MIC – help create a page for the site!

help-wanted-l

We are putting together a permanent page for the website around “Mixed Privilege” loosely based on Peggy McIntosh’s “Daily Effects of White Privilege“. 

Note: This is not to say that we as mixed Indigenous &/or people of colour (PoC) do not experience racism and other forms of oppression (because we do of course).

We intend for the page to be a way for us to recognize the privileges we DO enjoy (ie for those of us who are “racially ambiguous” or able to “pass for white” allows many privileges). It’s not necessarily going to be easy, but very worthwhile.

Please list your ideas in the comments section or email us as many as you can think of at mixed.me.ca@gmail.com. We will list everyone who submits as contributors (but only if you want to be acknowledged – anonymity is ok too!).

Thanks! Ashe! Migwetch! Merci!

See the page as it grows here: http://mixed-me.ca/?page_id=1182

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Community Post: Why Half-Asian Girls Have it Easier (Than Half-Asian Guys)

Emily at her cousin Evan’s wedding… Evan and Anna, the newest addition to the family, will someday have beautiful half-Chinese children!

After I read John Cadengo’s short piece, “On Being Half-Asian,” I am now certain that with “half-Asian” as a condition of being, it is easier to be a girl than a boy (which is probably the only time anyone would ever say that). I’m not an expert in women’s studies or feminist theory (further than how it relates to certain post-modern artists), but even my basic knowledge of these subjects, coupled with my perception of how the world works, tells me that it is indeed a man’s world. However, James Brown never had the opportunity to live as a 23-year old half-Chinese/half-Scottish-by-descent-since-everyone-from-Cape-Breton-is-of-Scottish-stock Canadian female like me, so I’ll forgive him for not exempting my particular subgroup of halfies.

I believe you just have to decide to move past the token checkbox and own it. Be a token if you want (I do major in biology and I love calculus), but take it in stride and use your difference to be exceptional. I’ve found that half-Asian girls can be anything. Most of the halfies I know are superstars: they kill it at school, arts, sports, social life, and being all around beautiful people. This ability to have any identity is probably at least partly the result of no one knowing exactly what our racial deal is, so rarely do people put us in boxes that we may subsequently feel we have to fit into. “She’s partly Chinese so she’s gonna be smart”; “but she’s tall so she’s probably going to be into sports”; “but she’s always singing to herself so maybe she’s weird and party?”; “she’s wearing high top Dunks so she probably likes hip-hop”; “I saw her making out with Ramzi so I guess she’s not scared to date new people.”

Being random hybrids to begin with, half-Asian girls can fit into any subculture or stereotype they desire, and wear any style and express themselves in any way, and it’s unlikely anyone will ever call them out for those choices. This is primarily because half-Asian girls will never be seen as posers, because these girls are unique and slightly edgy just by definition. I consider my sisters as examples of this. My middle sister was a bit of a “tomboy” growing up, until her style got super trendy in high school, but throughout all this she was really into sports, grades, and was probably the most “boy-crazy” girl I have ever met. My youngest sister has also always been more stereotypically “girly”, preppy and into make-up, as well as really into school and music (and much less outwardly “boy-crazy”). All of these characteristics are, unfortunately, ones that may become the single identity for some girls. Luckily for me and my sisters, as half-Asian girls, we have it easy and are diverse from the get-go, so multiple identities are not problematic and are not constructed or pre-meditated- they just are. This is especially helpful in terms of making friends from different groups and moving between social circles, which is good for your personal development.

This may be true for half-Asian boys too, however I’ve generally noted a big difference between perception of half-Asian boys and girls: a half-Asian girl can date anyone, whereas halfie guys, to echo John’s point, might not so easily. And for the girls it’s not weird, because she’s already “ethnically ambiguous” and wouldn’t her babies just be the cutest babies ever?! It’s almost expected that since we are different to start with, we would be with someone dissimilar. Also, to relate back to John’s thoughts, there isn’t the already existing stigma of “yellow fever” that halfie girls have to contend with if they choose to pursue half- or fully-Asians as their partners. I’ve never in any way been ostracized for any of the guys I’ve chosen to see because of their race, but I know that’s not the case for some of those guys. “Yellow fever” is merely something we laugh at and that makes us feel superior to all those dudes of various races chasing after us; which is perhaps slightly unkind, but isn’t it nice to laugh in the face of potentially being festishised? Regardless, it’s awfully empowering. After all, if the way you look catches a lot of people’s attention, it’s less work for you the halfie girl, and it’s likely your interesting and diverse outlook on life will dazzle all these fellows waiting to meet you.

A lot of what I’ve just said is pretty light, but there are serious points to be taken, which have been informed by my lived experience as a young, half-Chinese female. Yes we can wear any style of clothes or date any kind of guy, but what that really equates to is that it’s markedly easier for a half-Asian girl to meet new people and have diverse experiences. Social mobility and access to various subcultures are possible without the fear of being laughed at or called out for pursuing new interests. And that is really the beauty of being a half-Asian girl. Often, girls are portrayed as simple and one-dimensional; half-Asian girls take that image and crush it under their Alexander Wang boots that go well with their Adidas leather jackets that incidentally really compliment their bags they just got from Opening Ceremony.

Emily Lai Ho MacLean has a Chinese mother from Hong Kong and a Canadian father from Cape Breton, NS, where mostly everyone is of Scottish descent but some have some Irish in them.

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“Faces In Between” Art Show!

Exciting news! The Faces Project will be featured in an upcoming exhibit called “Faces In Between” at the Regent Park Arts and Cultural Centre. This show is featuring the artists of the 3MW Collective in order to commemorate Black History Month. Details below:

What: “Faces in Between” by 3MW Collective
Where:
585 Dundas St. East, Toronto, ON, Canada
When: Opening Reception Feb. 1, 7-9pm (Show runs until Feb. 28th, 2013)
Why: “Blackness” is often presented as a flat, one-dimensional monolith, but this image could not be further from the truth. Over 400 years in the making, the Diaspora in Canada is diverse in so many ways: ethnically, linguistically, generationally, economically and, of particular interest in this show, phenotypically. We believe that our work will add depth to the understanding of Blackness in Canada.”

FACES IN BETWEEN E-VITE

 

Follow the 3MW Collective:
Website: http://3mwcollective.org/
Facebook: www.facebook.com/3MWCollective
Twitter: @3MWcollective

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The MIC family is growing!

 I remember when I first started MIC, I imagined that “one day” when it was big enough, that it would have a Board. Well, to my great delight, that time has come! While there are more folks in the process of joining, I would like to introduce you to the first 4 members: Alexis Kienlen, Minelle Mahtani, Jamaias DaCosta & Daniella Barreto! To learn more about them, click here.

Going forward, posts may be made by any of us, and we will be sure to let you know who’s who when we do! 

*I am still looking for a Francophone member – so please contact me for the description if you are interested!

Clockwise: Alexis Kienlen, Minelle Mahtani, Jamaias DaCosta, & Daniella Barreto.

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Academic Arts & Keepin it Light

“A family member once told me that on the day I was born, they were praying that I didn’t turn out like some “wood chopping nigger”. Had I been born a boy, I was to be called Nigel. I have been told many times that it means “dark one”, which is generally followed by laughter. It is interesting that this is the way my story starts. Is our first story a microcosm of the rest of our lives? I think for some it is. And so it goes, I was born bright Lilly white with a shock of black hair. Black versus White.  I’m a mixed girl born in the 80s to a Jamaican father of African and Sephardi Jewish decent & an Irish-Canadian mother.”

 

 

This is the beginning of an essay I wrote (albeit poorly) for an academic writing class in the summer of 2011. Full of naive ambition, I was going to walk into this class and blow everyone’s minds with my hard-hitting, real-talk piece, retelling my experiences inhabiting the world as a black-mixed woman. I specifically chose a teacher who identified as white-mixed and the class was populated solely by women, which I thought would significantly improve my chances of accomplishing my goal. I was going to walk out a hero (or at least a great writer lol).

Re-reading my piece today for the first time since this class, I am reminded of how bold I really was, especially for someone who characteristically went out of their way to avoid conflict. There are a lot of problems in the piece, besides my cheesy & cliched style, as this was before I began to voraciously read material that could help me articulate my experiences. Surprisingly (read naively), it was not the style of my writing that came under fire. Lead by the teacher, the small class of white women (and one Arab woman) began attacking my anger and lived experiences!  It was literally a volley of racialized assaults for what felt like an eternity, as I sat there in total shock. Even my body language changed as I shrunk down in my chair and would have hid under the table if I could have. Here are some of the points they took issue with and their reasoning:

  • This “exotic” does not mean palm trees and sunshine. This exotic means temptress and mistress and object-that-I-will-use-but-never-marry-and-sully-my-pure-genes-with. I have been told many times by men to “be careful, because one of your children might turn out black and your husband will leave you because he’ll think you cheated”. According to one, I had to be especially careful because “black” is carried on the “female line”. Why? Because “no-one would actually say that, I must have made that up.” Yeah, that’s right. Making up racist experiences for attention, that’s something I’m into slash have time for slash am that creative…sigh.
  • Living in a country so afraid to speak about race, I too am afraid of what people will say for making them uncomfortable. “This is progress! Mixed people will save us from racism and one day we will all be brown” people tell me. We are perceived as fetishes upon which the world can lay their desperate, grappling hands to pray for the forgiveness for their predecessors sins and pin their hopes for the future. Why? “Because mixed people ARE the end of racism, you’re just jaded, look at Barack Obama!!!”
  • It is not a coincidence that most of pop culture’s “favourite” black women happen to be light-skinned and with (distant or recent) white ancestry. For exapmle: Halle Berry, Beyonce, Tyra Banks, Rihanna, Alicia Keys, even going as far back as Lena Horne, Dorothy Dandrige, Josephine Baker and so on.  Why? “I have 2 words for you: Oprah Winfrey! Are you saying that Oprah is ugly?” *Literally* the teacher said this to me, I kid you not. 
  • Just this week Psychology Today posted a “scientific” article titled “Why Are Black Women Less Physically Attractive Than Other Women?” by Satoshi Kanazawa which they quickly took down without an apology. Sometimes it seems that phrenology is simply reinvented. Why? “Psychology today is a reputable magazine and if they published it, it must be true.” Again, this is the teacher speaking. 
  • Is it because they think that no one in their right mind would “choose” black over white? Or is it because I can get away with passing for white and that I should date white men? Again as Toi Derricote writes “And perhaps they are mad because they feel betrayed. If somebody who could be one of them doesn’t want to be, maybe being white isn’t as great as they thought.” Why? “You are reading too many negative writers who are influencing you to be nihilistic.” 

This is only a sample, there was much more, including being compared to an “angry Indigenous woman” they had once met “who can’t get over it”, but it’s not worth hashing it all up as the point has hopefully been made. One of the more sympathetic women asked why I wasn’t defending myself, but I was totally speechless. Luckily our lunch break came and I went directly outside and cried my eyes out in some shady corner of the building. Once I had gained some measure of composure, I called my longest-standing black-mixed supporters, namely my maid of honour & my dad, and they did their best to console me as I sobbed into the phone. They were kind, as they could have said something like “it is your light-skinned privilege to think it would have gone any differently”, however instead they said things like “what would they know?!” and “if you’re going to keep telling it like it is, you’re going to have to prepare yourself for more situations like this” etc.  They then shared stories of racism they encountered as fellow black-mixed folks which was incredibly validating.

My next challenge was to either do what I always did and run away, or march back into the class with some visine in my eyes and my chin up. For one of the first times in my life, I chose not to run, and strutted back into class. The final exercise of the course was to “unpack” a key aspect of your piece, so I chose to “unpack” why I didn’t defend myself. I wrote about how my experiences had impacted my ability to articulate myself and so I often chose “flight” (physically or mentally) instead of “fight” (at this point I was totally unaware of the systematic silencing of marginalized voices). To my surprise, they all clapped when I finished reading it, which felt nice but a little “too little too late”. However, I was proud of myself for finally attempting to speak the truth, even if my voice shook, as the saying goes.

As I mentioned, it took over a year for me to be able to read the piece again and I cringe at some of the things I wrote. It is uncritical, it is full of light-skin privilege and even some ridiculous stereotypes. However, it was where I was at, and I was trying my best to tell my story in a pro-black perspective. I’d also like to think that it introduced my classmates to some of the rage people of colour feel about the racialized Canadian experience, as it was clear that most of them were totally unfamiliar with hearing personal narratives around race and racism. And while I wish I had had more training at that point, it was a key element for the birth of this site. As a final push, I sent the class a video about shadeism and racism by CNN, which was once again rationalized. Win some, you lose some.

To conclude, below is part of the closing paragraph, which is a clear demonstration of how systems of oppression can make you feel totally insane:

 Having said all this, is it that I am just too sensitive, seeing something that isn’t really there? Very much like how Toi Derricotte’s explains in her book The Black Notebooks I can never figure out what is real, what is imagined, and all the perceptions that lie in between “Am I dreaming they hate me?…Is this whole world my evil dream?”

The truth is, this is why Mixed in Canada is so important to me. Racism is real and affects all people of colour and Indigenous people in Canada and I never want anyone to feel the way I did that day. Mixed in Canada is how I found my voice and it is my hope that this and future generations will have the ability to confidently articulate and defend themselves through this and other platforms, as we do our best to help each other to survive.

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30 Terms Mixed Folks Should Know (and everybody else too)

If you’ve been following my posts for a while now, you probably already know that I was raised as one of the only people of colour (POC) in my rural Ontario village, which stunk. To this day, one of my biggest contention points about my upbringing was my lack of vocabulary around racialization so that I could better protect, articulate & defend myself. Without going into great detail about the history of colonization and oppression in Canada, I would like to point out that it is not a coincidence that many POC (including mixed and other marginalized people) do not have access to the vocabulary that helps to insulate ourselves against these forces. To be frank, knowledge is power, and the powerful aren’t about to spread the word that their socially constructed privilege results in our oppression. For this reason, I thought it might be useful to put together a sassy glossary for my Mixed in Canada fam who may also be having trouble articulating their experiences of racialization. So here goes… PS please feel free to add any that I may have missed or comment on ones you feel aren’t explained well, as I am still learning myself. Also, feel free to make some up, as my good pal Kim of The People Project says “there are not enough words”. (Most definitions are taken from Wikipedia or Urban Dictionary & tweaked by me).

A C D E F H I M O P R S T V W

1. Assimilation

What it means: the process whereby a minority group gradually adapts to the customs and attitudes of the prevailing culture and customs.
Why it’s important: If you move to Canada, you are expected to do this. Generally a result of colonialism and leads to internalized racism.
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2. Colonialism

What it means: the establishment, maintenance, acquisition and expansion of colonies in one territory by people from another territory.
Why it’s important: Translation – “I’m coming to take everything and wan’t you to do the work but also don’t get in my way when I’m done (ie exist)”. Mostly leads to the destruction of entire ethnic groups, cultures, civilizations, natural resources etc. (and still continues today).

3. Cultural Appropriation

What it means: the adoption of some specific elements of one culture by a different cultural group and implies a negative view towards acculturation from a minority culture by a dominant culture.
Why it’s important: As an example, this is why dressing up as Pocahontas, a Rasta, a geisha etc is not totally not cool. Translation – “While most aspects of Indigenous (inclusive) cultures are considered ‘primitive’, we’ll borrow what seems cool at the moment (without acknowledging the history of where it came from in any respectable way).”
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4. Dehumanization

What it means: efforts to undermine one’s access to basic human rights (e.g., physical autonomy, food, water, opportunities for self-sufficiency).
Why it’s important: Translation – “We can’t legally kill you, so we’ll just take away the things you need to live instead.”

5. Discrimination

What it means: the prejudicial treatment of an individual based on his or her membership – or perceived membership – in a certain group or category.
Why it’s important: Translation – “We don’t like you & ‘your kind’ (and probably for super crazy stereotyped reasons)“.
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6. Ethnicity

What it means: a group of people whose members identify with each other through a common heritage, consisting of a common culture, including a shared language or dialect.
Why it’s important: Often confused with race and a slightly more tangible social construction (ie the Celts, Romani, Bedouin etc would be considered ethnic groups as opposed to the monolithic terms like “Asian” or “Black”).

7. Eurocentricity

What it means: is the practice of viewing the world from a European perspective.
Why it’s important: An enormous part of internalized racism and why many people seem to think the only place with “culture” worth travelling is Europe, why skinny blondes are the most beautiful, why all things WASPy are “normal” etc.

8. Exotification

What it means: “the charm of the unfamiliar.” (puke)
Why it’s important: This makes you not “normal” (read WASPy) and is why you may not like being called exotic 300 times a day.
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9. Fetishization

What it means: the viewer meditates over the Otherness of the person, an Otherness which makes them untouchable or super desirable.
Why it’s important: Related to exotification & positive stereotypes, it is generally dehumanizing, and sounds like “all mixed people are: pretty/good looking/hot” etc.
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10. Half-breed

What it means: frst appeared in the 1876 Indian Act in Canada under the list of non-Indians.
Why it’s important: To protect whiteness and Indian-ness from mixed-race people, colonizers created the racialized category of ‘half-breed’.
(taken from Race, Space & the Law by Razack, 2002)

11. Hapa

What it means: in the Hawaiian language, hapa is defined as: portion, fragment, part, fraction, installment; to be partial, less.  However, in Hawaiian Pidgin (the language spoken by many Hawaii residents), hapa has an extended meaning of “half-caste” or “of mixed descent”.
Why it’s important: For the reasons above, not everyone feels so great about it, but it is very popular these days.

12. Horizontal hostility

What it means: the result of people of targeted groups believing, acting on, or enforcing the dominant system of discrimination and oppression. Can occur between members of the same group or between members of different, targeted groups.
Why it’s important: While racism works pretty darn well if you are the oppressor, the oppressed do not actually gain anything from this form of divide & conquer.
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13. Internalized racism/oppression

What it means: the manner in which an oppressed group comes to use against itself the methods of the oppressor.
Why it’s important: It is super tragic because it can be so difficult to identify & fight. Generally a result of colonization & Eurocentric standards of everything.

14. Institutionalized racism

What it means: describes any kind of system of inequality based on race. It can occur in institutions such as public government bodies, private business corporations (such as media outlets), and universities (public and private).
Why it’s important: This is one of the reasons affirmative action programs started (which worked wonders if you were a white woman) and why reverse racism is impossible.
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15. Métis

What it means: The advent of the fur trade in west central North America during the 18th century  was accompanied by a growing number of mixed  offspring  of Indian women and European fur traders .  As this  population established  distinct  communities separate from those of  Indians and Europeans and married among themselves,  a new Aboriginal people emerged  - the Métis people – with their own unique culture, traditions, language (Michif), way of life, collective consciousness and nationhood.
(Taken from the Métis Nation site)
Why it’s important: Canada’s first recognized group of mixed-identified people ought to be recognized in all conversations about mixed-race identity.

16. Mulatto

What it means: the term derives from the Spanish and Portuguese word mulato, which is itself derived from mula (from old Galician-Portuguese, from Latin mūlus), meaning mule, the hybrid offspring of a horse and a donkey.
Why it’s important: Need I say more?
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17. Objectification

What it means: refers to the practice of regarding or treating another person merely as an instrument (object) towards one’s sexual pleasure, and a sex object is a person who is regarded simply as an object of sexual gratification or who is sexually attractive.
Why it’s important: Related to Positive Stereotypes & Fetishization, this is why you may feel nauseous when people say “Half-black guys are so hot” or “I’m so into Hapa girls”.

18. Oppression

What it means: the exercise of authority or power in a burdensome, cruel, or unjust manner.
Why it’s important: Related to dehumanization (read slavery, genocide, reservations etc), & is why people of colour/Indigenous people (and other marginalized communities) are over-represented living under the poverty line, in jail, missing & deceased in Canada.
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19. Privilege

What it means: a right, immunity, or benefit enjoyed only by a person beyond the advantages of most (and generally undeserved).
Why it’s important: The only way to enjoy privilege is if someone else is oppressed & therefore a very bad thing. Having said that, it is important to acknowledge & deconstruct the privileges you may enjoy (I list a few of mine on my bio).
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20. Racialization

What it means: It signifies the extension of dehumanizing and racial meanings to a previously racially unclassified relationship, social practice, or group. Aka a group of people is seen as a “race”, when it was not before.
Why it’s important: Pretty solid evidence of the construction of race.

21. Race

What it means: a classification system used to categorize humans into large and distinct populations or groups by heritable phenotypic characteristics, geographic ancestry, physical appearance, ethnicity, and social status.  Frequently criticized for perpetuating an outmoded understanding of human biological variation, and promoting stereotypes (in other news, water is wet).
Why it’s important: While we definitely experience the effects of race/racism, race is actually pretty made up. As a quick mental test, define “white/Caucasian”…does it include people from “Ireland”, “Italy”, “India”, “Afghanistan” or “Algeria”? (The answer of course is none of the above because races (including white) are made up.)

22. Racial Passing (Active & Passive)

What it means: Active: a person classified as a member of one racial group attempting to be accepted as a member of a different racial group; & Passive: when you are read as a different racial group despite how you identify.
Why it’s important: Very much related to privilege and colonialism, it shows how much we perceive racial cues visually.

23. Racism

What it means: behavior or beliefs motivated by racial stereotypes, it generally includes practices of racial discrimination, and ideologies of racial supremacy and hierarchy.
Why it’s important: Pretty self-explanatory, but will never fully convey the experiences of real people.

24. Registered/Status Indian

What it means: An individual recognized by the federal government as being registered under the Indian Act is referred to as a Registered Indian (commonly referred to as a Status Indian).
(Taken from the Canadian government)
Why it’s important: There’s nothing like having to have a peice of paper to prove your ancestral validity on your land.

25. Reverse racism

What it means: Something whiteness made up to deflect racism & continue being racist.
Why it’s important: There is no such thing (see “How To Be A Reverse-Racist: An Actual Step by Step List For Oppressing White People“).
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26. Shadeism/Colourism

What it means: refers to a form of prejudice or discrimination in which human beings of the same race are treated differently based on the social meanings attached to skin colour.
Why it’s important: Related to horizontal hostility & Eurocentricity, it is a really painful reality for all people of colour. Translation – “Light is good, dark is bad” for example.

27. Stereotype (Positive & Negative)

What it means: a belief that can be held by anybody about specific types of individuals or certain ways of doing things, but that belief may or may not accurately reflect reality. Can include “positive” traits like “intelligence”, “sexual prowess”, or “attractiveness” or “negative” traits like the lack of “intelligence”,”ability”, or “morals”.
Why it’s important: Don’t need to say much here, however positive stereotypes are still very socially acceptable and make me totally bonkers.
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28. Tokenism

What it means: the policy or practice of making a perfunctory gesture toward the inclusion of members of minority groups. Classically, token characters have some reduced capacity compared to the other characters and may have bland or inoffensive personalities so as to not be accused of stereotyping negative traits. Alternatively, their differences may be overemphasized or made “exotic” and glamorous.
Why it’s important: Why being “the black/Asian/Native/mixed etc friend” typically sucks.
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29. Visible Minority

What it means:  a term used primarily in Canada and defines a person who is visibly not one of the majority race in a given population.
Why it’s important: You get the opportunity to decide if you are ‘visible’ or not on government forms. *Fun* 
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30. WASP

What it means: (White Anglo-Saxon Protestant) is an informal term for a closed group of high-status Canadians mostly of British Protestant ancestry. This group wields disproportionate financial and social power.
Why it’s important: See all the above.
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Kindly edited by the Brown Grrlz Project!

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Hapa-Palooza 2012!

Hapa-Palooza crew, Vancouver, BC, September 2011.

It’s hard to believe that it’s already been a year since the very first Hapa-Palooza festival… but alas, time has flown by, and it is back again! Attendees of interest include the renown author Wayde Compton (“After Canaan” is listed in the lit section of MIC) and award-winning filmmaker Jeff Chiba Stearns (see clips of his work on the film section of MIC). 

DETAILS: 
Date: September 12 & 13, 2012
Time: 7:00-8:30pm
Location: Vancouver Public Library

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For more information, check out:
Website: hapapalooza.ca
Facebook: facebook.com/HapaPaloozaFestival 
Twitter:  @Hapapalooza

To see last year’s pictures, click here: http://mixed-me.ca/?page_id=813

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Serving ‘Realness’: A Dialogue on Privilege & Passing

As I write in my bio on the “About me” page, I am the undeserving recipient of many forms of privilege which include: having been born in Canada with light skin, an able-body, identifying as straight/cis, speaking English… and this is not an exhaustive list! It has taken me a long time to understand & acknowledge these privileges for a number of reasons,  some of which because I didn’t have them before in my small town, but I do have them now in “the big city” (ie passing for white).

In my small town, it was fairly well known that I was “Jamaican” and of course, in this country, Jamaican is synonymous with black (which is a whole other kettle of fish for another day). Nowadays in the city I am read as just about anything, but much closer to ethnicities that are now lumped into whiteness (or at least “off-white”) ie Italian, Spanish, Portuguese, Lebanese etc. This transition has been a wildly mind-altering experience,  moving from one space to another and “somehow” changing races (which of course speaks to the fluidity and construct of race itself). On the one hand, being surrounded by my fellow people of colour has been one of the most rewarding experiences of my life and is the biggest reason why I can’t see myself ever leaving. On the other hand, the painful fact that my phenotype (features) betray me is a difficult new reality that I am only begining to learn how to navigate.

For these reasons and many more, Mixed in Canada & the fantastic folks from The People Project (an organization facilitating innovative arts and leadership opportunities for and by Queer & Trans young people of colour; as well as consulting, training and educating youth service providers and allies around anti-oppression and intersectionality) are putting on a forum on Passing & Privilege of all kinds on Friday, June 22nd, at 598 Yonge St, Toronto, Ontario from 6-9pm. Hope to see you there!

Description: Serving ‘Realness’: A Dialogue on Privilege & Passing
“There is a ‘privilege’ to be able to “pass” as a more advantaged group, such as a light-skinned person of color passing as white, a trans-person passing as non-trans, a disabled person passing as able-bodied, etc. There is also fear about being discovered and disconnection from communities of choice. While passing may be a goal for some because of the privileges it brings, it can also be a disadvantage by erasing other elements of ones identity.
Please note: Dinner Dialogues are meant to provide inclusive and anti-oppressive space for diverse community members. We will work hard as facilitators & community members to prevent and respond seriously to discrimination based upon race, gender, sexuality, ability, language, nationality or beliefs.

Date: Friday, June 22nd, 2012
Time: 6-9pm
Location: 598 Yonge St, Toronto, Ontario


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MIC “Faces” project in art show!

When I first started the Faces project this time last year, armed with a hybrid camera I received as a Christmas gift, it was my dream that it would end up in a gallery someday. So it is with great pleasure & humility that I announce here on MIC that it is coming to fruition! I truly could not have done it without the absolutely wonderful and courageous models; and the loving support of key people around me; to you I am forever grateful. My only regret is that I couldn’t include everyone.

When: Showing June 8th – July 1st, 2012
Opening event: June 8th, 6-9pm

Where:  Gallery 129, 129 Ossington Avenue,Toronto, ON M6J 2Z6 


What: Defining Moments “Discovering our Canadian Stories” exhibit.  Offered by TakingITGlobal and supported by Canadian Heritage, Defining Moments is a national digital media arts and citizenship project, taking participants on a journey through accounts of Canadian identity.

I hope to see you there!

 

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Interview with Adebe DeRango-Adem, Co-Editor of “Other Tongues”

If someone were to ask me if there is one book in particular regarding the mixed-race experience that has never left my nightstand, I would without hesitation answer Other Tongues: Mixed-Race Women Speak Out. A collection of poetry, auto-biographies, short stories, plays, photography, paintings and more, Other Tongues succeeds in pulling together a cross-section of the lives of mixed-race women across Canada and the US, providing us with a reality check of where we stand as mixed-race women today. My copy, replete with underlines, highlights, circles and “YES!!!”, helped me to feel like the ugly ducking who found her swan group. Some examples of the many gems are:

Coming to terms with being mixed-race is an evolutionary process.” by Co-Editor Andrea Thompson

Rachel Afi Quinn’s “…I am reminded that no matter where I am, I am a shape changer – and see myself quite differently than do the people around me. I have often felt that being mixed race has meant that I carry a secret: ‘I’m not what you think I am.’ I have only recently come to accept that I have never been what people think I am. And no matter where I go next, I never will be. Already I never am.

Ruha Benjamin’s “mypeople/don’t know they’re related/in me.”

Jonina Kirton’s “are we not all two halves?/father, what half did you give me?/mother, i do not feel/white, i know you tried/i feel mixed, neither here nor there

Through this book, I have also had the opportunity to meet other wonderful Canadian mixies, like the talented Jordan Clarke, who I interviewed back in August, 2011.

“Something In-between” 30″x36″ oil on canvas, 2011 – Photo courtesy of Jordan Clarke

Over the holidays I had the opportunity to interview one of the women who started it all,  Co-Editor Adebe. Read on to learn why injera & espresso might have more in common than you think and her challenge to mixed-race women everywhere!

1. What is your mix and how do you like to identify these days?
I am Ethiopian, Italian, and always somewhere between Toronto and New York. I consider myself a black-identified mixed-race woman and don’t believe in choosing the category “Other.” The way I identify myself is less “the best of both worlds” as it is a continual struggle for equity and racial justice. Still, I do admit the comedy in all of this: watching my Italian relatives eat injera (Italians invented the fork, by the way) or serve espresso, which many don’t realize was literally invented – the format, and the bean – in Ethiopia.

Photo courtesy of Adebe DeRango-Adem

2. In your introduction, you mention that you studied “interracial figures in literature” in grad school. Aside from being mixed, was there another reason that you were compelled to delve deeper into the interracial experience? Can you speak to how the topic was received by your professors & peers?
My personal vocations outside academia are journalism and poetry, though I never studied journalism or poetry proper, and instead spent the course of an undergraduate and graduate degree pursuing English literature. It is from having delved into (and outside of) the canon of literary greats and studied world literatures that my interest in mixed-race literatures began and my poetic craft took off. Needless to say, my first poetic experiments were with spoken word; I felt every poem should be heard, felt, and affect change. Going to grad school represented a moment much larger than just an opportunity to study and become the intellectual I’d always wanted to me, was always more than just reading and critiquing literary greats. It was about getting to the heart of subjects that had an overarching and personal concern for me: creativity, speech, the freedom to express… a way of seeing the world in its multiplicities, a way of entering the subjectivity of literature and seeing authors as the extensions of their work.

3. In reflection of over a year of having been published, what have you learn about yourself or about life in general through your work on Other Tongues?
I learned that my mixed-race identity, as well as my identity as a poet, both stemmed from a single source of inspiration: to know the world in its intricacies, grey areas, the places where cultures crash but also fuse. It is from various crossings – as a poet, writer, educator and activist, and traveler – that my sense of self is both deeply rooted and always in-the-making. I think our book also gestures towards the realm of transformation on all sorts of levels, both in the act of reading and the effects of reading these heartfelt stories of women.

4. Is there something you’d like to say to other mixed-race Canadian women?
There are opportunities to escape the rules and roles we feel born into, which I think always requires a creative approach. And opportunities to share our stories exist and continue to exist, just as the conditions of interracial subjectivity always resist conclusion. I challenge mixed-race women to see the beauty in oscillation; instead of uncertainty, an appreciation of the complex identification at the heart of our “selves.” There is much room and a ways to go for mixed-race subjectivities to become a critical discourse. While we wished to have included the perspectives of mixed-race women across the globe (an endeavor altogether too large for the scope of this anthology—Other Tongues II, perhaps!), we hope the book can both serve as an important contribution to both the literary canon, and mixed-race studies as well as gender studies. We are so inspired by the women who submitted, whose stories, poems and artwork are being considered as new conceptual tools for rethinking race today; I thank them for their vision and honesty. Stay tuned for other opportunities to share your story.

Stay tuned for Adebe’s goings on here:
Blog: “I wonder as I wander”
Facebook: Other Tongues facebook group & Adebe’s author page
Twitter: @Adebe_

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